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Node [1 of 1] - The Hat Makes The Man [Brühl, 2018]
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Uri /api/v2/node/mFzqh5
UriDescription Node with the given id.
ResponseLevel Public
DateAdded 2018-05-24T09:04:33+00:00
DateModified 2025-06-23T13:39:18+00:00
Description The Hat Makes The Man May 13 - August 26, 2018 Max Ernst Museum, Brühl, Germany “Some nearly fifty years after he first created his surrealist sensation ‘Deafman Glance,’ Robert Wilson tips his hat to his mentor Max Ernst. Wilson’s staged theatrical performances, in the words of surrealist writer Louis Aragon, are ‘what we others, who fathered surrealism, what we dreamed it might become after us, beyond us.’ No mere retrospective or remembrance, this exhibition is more of a collaboration between two of the world’s quintessential dreamers. The theme of Wilson’s exhibition reflects his wish to infuse the museum with the spirit of Ernst and that of the Watermill Center, the artists’ community where Wilson shares his personal collection of art and artifacts with the public, and nurtures the creativity of young and emerging artists. The exhibition clearly conveys Wilsons creative processes, featuring a selection of objects that serve as the raw material from which the artist draws his inspiration in many of the same ways Max Ernst drew inspiration from his own diverse collection. Reminiscent of great cabinets of curiosities—especially the collected artifacts of André Breton and Max Ernst—this exhibition tells us less about the objects themselves than about the great artists whose dreams were initiated by them.” — Noah Khoshbin, Curator Exhibition Concept and Design: Robert Wilson - Co-Design: Marie de Testa - Curator: Noah Khoshbin - Lighting Design: Scott Bolman - Sound Design: Dario Felli - Registrar and Collection Consultant: Christian Clement - Max Ernst Museum Brühl: Achim Sommer, Friederike Voßkamp, Jürgen Pech
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0 Max Ernst
1 Robert Wilson
2 Brühl
3 Köln
4 Cologne
5 Surrealism
6 Louis Aragon
7 André Breton
8 Deafman Glance
9 Kool
Name The Hat Makes The Man [Brühl, 2018]
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Name [html]

html The Hat Makes The Man [Brühl, 2018]

Description [html, text]

html The Hat Makes The Man<br /> May 13 - August 26, 2018<br /> Max Ernst Museum, Brühl, Germany<br /> <br /> “Some nearly fifty years after he first created his surrealist sensation ‘Deafman Glance,’ Robert Wilson tips his hat to his mentor Max Ernst. Wilson’s staged theatrical performances, in the words of surrealist writer Louis Aragon, are ‘what we others, who fathered surrealism, what we dreamed it might become after us, beyond us.’ No mere retrospective or remembrance, this exhibition is more of a collaboration between two of the world’s quintessential dreamers.<br /> The theme of Wilson’s exhibition reflects his wish to infuse the museum with the spirit of Ernst and that of the Watermill Center, the artists’ community where Wilson shares his personal collection of art and artifacts with the public, and nurtures the creativity of young and emerging artists. The exhibition clearly conveys Wilsons creative processes, featuring a selection of objects that serve as the raw material from which the artist draws his inspiration in many of the same ways Max Ernst drew inspiration from his own diverse collection.<br /> Reminiscent of great cabinets of curiosities—especially the collected artifacts of André Breton and Max Ernst—this exhibition tells us less about the objects themselves than about the great artists whose dreams were initiated by them.”<br /> — Noah Khoshbin, Curator<br /> <br /> Exhibition Concept and Design: Robert Wilson - Co-Design: Marie de Testa - Curator: Noah Khoshbin - Lighting Design: Scott Bolman - Sound Design: Dario Felli - Registrar and Collection Consultant: Christian Clement - Max Ernst Museum Brühl: Achim Sommer, Friederike Voßkamp, Jürgen Pech
text The Hat Makes The Man May 13 - August 26, 2018 Max Ernst Museum, Brühl, Germany “Some nearly fifty years after he first created his surrealist sensation ‘Deafman Glance,’ Robert Wilson tips his hat to his mentor Max Ernst. Wilson’s staged theatrical performances, in the words of surrealist writer Louis Aragon, are ‘what we others, who fathered surrealism, what we dreamed it might become after us, beyond us.’ No mere retrospective or remembrance, this exhibition is more of a collaboration between two of the world’s quintessential dreamers. The theme of Wilson’s exhibition reflects his wish to infuse the museum with the spirit of Ernst and that of the Watermill Center, the artists’ community where Wilson shares his personal collection of art and artifacts with the public, and nurtures the creativity of young and emerging artists. The exhibition clearly conveys Wilsons creative processes, featuring a selection of objects that serve as the raw material from which the artist draws his inspiration in many of the same ways Max Ernst drew inspiration from his own diverse collection. Reminiscent of great cabinets of curiosities—especially the collected artifacts of André Breton and Max Ernst—this exhibition tells us less about the objects themselves than about the great artists whose dreams were initiated by them.” — Noah Khoshbin, Curator Exhibition Concept and Design: Robert Wilson - Co-Design: Marie de Testa - Curator: Noah Khoshbin - Lighting Design: Scott Bolman - Sound Design: Dario Felli - Registrar and Collection Consultant: Christian Clement - Max Ernst Museum Brühl: Achim Sommer, Friederike Voßkamp, Jürgen Pech

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            "Description": "The Hat Makes The Man\nMay 13 - August 26, 2018\nMax Ernst Museum, Br\u00fchl, Germany\n\n\u201cSome nearly fifty years after he first created his surrealist sensation \u2018Deafman Glance,\u2019 Robert Wilson tips his hat to his mentor Max Ernst. Wilson\u2019s staged theatrical performances, in the words of surrealist writer Louis Aragon, are \u2018what we others, who fathered surrealism, what we dreamed it might become after us, beyond us.\u2019 No mere retrospective or remembrance, this exhibition is more of a collaboration between two of the world\u2019s quintessential dreamers.\nThe theme of Wilson\u2019s exhibition reflects his wish to infuse the museum with the spirit of Ernst and that of the Watermill Center, the artists\u2019 community where Wilson shares his personal collection of art and artifacts with the public, and nurtures the creativity of young and emerging artists. The exhibition clearly conveys Wilsons creative processes, featuring a selection of objects that serve as the raw material from which the artist draws his inspiration in many of the same ways Max Ernst drew inspiration from his own diverse collection.\nReminiscent of great cabinets of curiosities\u2014especially the collected artifacts of Andr\u00e9 Breton and Max Ernst\u2014this exhibition tells us less about the objects themselves than about the great artists whose dreams were initiated by them.\u201d\n\u2014 Noah Khoshbin, Curator\n\nExhibition Concept and Design: Robert Wilson - Co-Design: Marie de Testa - Curator: Noah Khoshbin - Lighting Design: Scott Bolman - Sound Design: Dario Felli - Registrar and Collection Consultant: Christian Clement - Max Ernst Museum Br\u00fchl: Achim Sommer, Friederike Vo\u00dfkamp, J\u00fcrgen Pech",
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